The whole sqrt(-1) imaginary number thing has always been pretty abstract to me (and probably most others who learned them, but then never had to use them in their job or anything). On the flip side, the very own concept of imaginary and imagination in itself is a kind of abstract things too. For the uninitiated, what is Imaginary?- something that cannot be perceived, something that is imaginary? (lolz!, its like telling to understand recursion, you need to understand recursion :P).

With stories charted and realities imparted - I kind of always pondered about this Idiotism [IET] for a loong period of time now, but, unfortunately didn't quite find the zeal to pen something about it, until today, when I seemed to have a quibble with a friend of mine about the same issue. And the rest as they say was history, with me having some sort of a "halo" around me to at-least come out and "try" to define why we have something called "imaginary" and "imagination" at all?!

Let's now start with the basics..imagination for all practical purpose is considered "a power of the mind", "a creative faculty of the mind", "the mind" itself when in use, and a "process" of the mind used for thinking, scheming, contriving, remembering, creating, fantasizing, and forming opinion. On the other hand, as a medium, imagination is a world where thought and images are nested in the mind to "form a mental concept of what is not actually present to the senses". In the sense of the word as a process, imagination is a form of mediation between what is considered "externalized" reality and internalized man and finally, imagination is a term that circulates forms of mass media when the "internalized" private imagination is presented as public, or expressed in a media form, such as film or in virtual reality technology.

But, all said and done - is it not true to assume that the concept of imagination is nothing but a fight between our sense of what we consider private and essentially humanistic. Dosn't imagination challenge the technology to explore what media can do: how far inside man can media extend itself, and how far outside man can man bring what is considered his internalized self? Are these processes transmutable through media, and if so, what kinds? Can imagination be coded? Does technology employ imagination in its productive and innovative capabilities? Or is imagination a human faculty only? If the latter, than to what extent can media technologies mimic imaginative functions and/or expressions? And, if media technologies can mimic 'products' of the imagination, what is the essential difference between 'having' imagination and producing imaginative qualities?

I kind of feel that imagination is nothing but a mere matter of "reproductive projections". One's perception of the Imaginary is an essential stage of recognition of what is real and what is unreal. If the Imaginary is the reflected image in the mirror, it is probable that the imagination is the mental faculty for integrating this 'represented' image into the person's experience of himself in the world. If the imagination is a counterpoint to perceptible reality,then, implication is that the Imaginary is in fact representational. This representation, is a kind of mirror, a mirror that shows all your "reproductive projections".

So what exactly is that I talk about when I say "reproductive projections"? Well, I would say that its a simple concept of "filmi flashbacks", whose basis lies in a given or experienced knowledge that must be reproduced to 'short'(as in Electronic Circuits) the proof posited by the senses. For example, shouldn't one use her/his powers of imagination to deductively reason that even though s/he cannot see all sides of a cube s/he is looking at there are six sides to the cube. For, based on the viewer's experience, a cube factually and observably does have six sides. Were s/he to pick the cube up and examine it, s/he should see and note it as fact observable by her/his senses. However, since the viewer has the faculties of her/his reproductive imagination, s/he need not rely on her/his senses. Thus, if reality can be observed by the senses, imagination addresses a certain no-man's land between what is observably "true" or "real" and that which is considered totally "fictive" or "false," in a sense, imagination provides a shortcut. Imagination in this sense, fills in what could in all likelihood be observed by the senses, and apprehends a sense of reality based on the experience of the proof of his senses, without the executed proof.

Although, it would be really abrupt to end at this point - I still have no option but to end it (Thanks to the dearth of imagination(s) within me :P).However, I would sort of leave the entire quibble- still open ended- as to whether, imagination is indeed the ideal communication- to supercede our romantic notions of the untranscendable 'imaginations' or is a pure form of built in "Inception"?